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BIM建筑|Casa Taller,避世林中 / Agustín Berzero+Manuel González Veglia

發(fā)布于:2025-02-05 11:57:44

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建筑外觀 ?Federico Cairoli

建筑內(nèi)部 ?Federico Cairoli

 

建筑設(shè)計(jì)? Agustín Berzero+Manuel González Veglia

項(xiàng)目地點(diǎn)? 阿根廷科爾多瓦

建成時間? 2021年

建筑面積? 54平方米


 

項(xiàng)目位于阿根廷科爾多瓦,坐落在一處坡度接近45度的坡地上,在這里能聽到淙淙水聲,還可飽覽群山和樹梢的美景。這是一座供人居住、工作以及寫作的房屋,所處環(huán)境靜謐清幽,適合哲學(xué)性的思考工作。

The project unfolds in Co?rdoba, on a nearly 45-degree sloping terrain with the sound of the river and views of the mountains and treetops. A house for living, working, and writing in an environment of solitude and tranquility that allows philosophical work.

 

建筑外觀 ?Federico Cairoli
建筑及環(huán)境 ?Federico Cairoli

它的設(shè)計(jì)運(yùn)用了反差強(qiáng)烈的互補(bǔ)元素。被抬升起的體量下部較為厚重,上部則更為輕巧。這座房屋看起來幾乎沒有支撐。當(dāng)它敞開時,能將周邊景致盡收眼底,迎接陽光的照拂;而當(dāng)它緊閉時,又能讓人靜心內(nèi)省。

It is created with complementary opposites. While its lower part is heavy, the upper portion is lightweight. It barely rests on supports. When open, it captures the views and welcomes the sun. It can also be firmly closed for introspection.

 

建筑外觀 ?Federico Cairoli
建筑室內(nèi) ?Federico Cairoli

這是一處為景觀增色的建筑。屋頂高度未超出地塊的最高點(diǎn),以免破壞整體景觀。人們可從屋頂進(jìn)入,或者經(jīng)過一條引人沉思的路徑,從下部進(jìn)入。進(jìn)入方式的設(shè)計(jì)能夠讓人親近自然地形。

It is a piece of architecture that adds value to the landscape. The project can be accessed from the roof, which does not exceed the highest point of the lot to avoid disrupting the views. It is gradually traversed until entering from the lower part through a contemplative journey. This approach enables access to the natural terrain.

 

軸測示意圖 ?Agustín Berzero+Manuel González Veglia
建筑及環(huán)境剖面示意圖 ?Agustín Berzero+Manuel González Veglia

建筑外觀及環(huán)境 ?Federico Cairoli

簡潔的幾何體通過擋土墻與山體相連,一座向外延伸的橋梁為房屋增強(qiáng)了連通性,其狹長的幾何形狀猶如山羊的蹄印。與陡坡相呼應(yīng),各功能空間從屋頂露臺到下方地面層層疊置。

A clear geometry is defined with a retaining wall in relation to the mountain; a bridge extends and adds connection. The geometry is narrow like the footprints of a "goat". Similar to its steep slope, the program is stacked in multiple stories from its terrace to the ground.

 

連橋及屋頂露臺 ?Federico Cairoli

屋頂露臺 ?Federico Cairoli

從外部看,這座房子是一個材質(zhì)單一的建筑結(jié)構(gòu),如龐然大物拔地而起。無論是其結(jié)構(gòu)、室內(nèi)空間還是連橋,都采用了鋼筋混凝土作為主要材料。表面粗糙的墻體,能夠?qū)?dāng)?shù)氐臍夂蛱攸c(diǎn)與色調(diào)烙印在建筑之上,記錄時光的痕跡。

Seen from the outside, it is a single-material structure that becomes a massive piece emerging from the site. Reinforced concrete is the main material used for the structure, internal spaces, and the relationship between the ground and the sky. Its walls have a rough finish capable of revealing the passage of time and imprinting the climate and tones of the location on the structure.

 

材質(zhì)細(xì)節(jié) ?Federico Cairoli

建筑內(nèi)部有著獨(dú)特的空間分配比例,高度變化很大,既有向周邊景觀敞開的大尺度窗洞,也有完全隔絕外部景觀的封閉空間。室內(nèi)使用了木材,人一走進(jìn)空間就能聞到木頭特有的氣味,這種溫暖的材料也與建筑粗獷的外觀形成對比。

Inside, the space has unique proportions and big changes in height. It includes big openings and complete closures to reveal or conceal the landscape. Wood is used, a warm material that contrasts the rugged exterior and releases its distinctive scent upon entry.

 

室內(nèi)空間 ?Federico Cairoli

主要的起居、用餐、烹飪以及就寢區(qū)域,越過樹冠與外部景觀建立通暢的視覺聯(lián)系。與之形成對比的是,房屋的中空區(qū)域上方懸著一個開放式平面布局的內(nèi)向型夾層。這個夾層空間從下方采光,營造出適合沉思內(nèi)省的環(huán)境,為寫作和閱讀提供了理想的場所。

The main area for living, dining, cooking, and waking up connects with the landscape at the height of the tree canopy. In contrast, an introverted mezzanine, with an open floor plan, is suspended over the entire void. It is illuminated from below, creating an environment for introspection. It offers a place for writing and reading, disconnected from the outside.

 

懸置的夾層 ?Federico Cairoli

建筑輕巧而不脆弱,如同山體的一個新組成部分,其形式的生成綜合考慮了多方因素,在材質(zhì)運(yùn)用上則保持簡潔。該方案采用基礎(chǔ)的“手工式”技術(shù)以及簡單和克制的干預(yù)操作,以尊重周邊環(huán)境。設(shè)計(jì)營造出了不同類型的空間:室內(nèi)與室外、私密或開敞,但沒有大幅改變自然地形,空氣和水依然能在房屋下方自由流動。

Far from being a fragile construction, it is a new piece of the mountain with formal synthesis and material simplicity. The proposal respects its context by resorting to basic, "handmade" technology, and few simple operations. The proposal does not alter the natural topography and suggests different types of spaces: interior and exterior, intimate or open. Meanwhile, air and water continue to run beneath the house.

 

材質(zhì)細(xì)節(jié) ?Federico Cairoli

 

實(shí)體模型及設(shè)計(jì)圖紙 ▽

 

實(shí)體模型 ?Agustín Berzero+Manuel González Veglia
地面層平面圖 ?Agustín Berzero+Manuel González Veglia
夾層平面圖 ?Agustín Berzero+Manuel González Veglia
屋頂平面圖 ?Agustín Berzero+Manuel González Veglia
剖面圖 ?Agustín Berzero+Manuel González Veglia
剖面圖 ?Agustín Berzero+Manuel González Veglia
剖面細(xì)節(jié)圖 ?Agustín Berzero+Manuel González Veglia

 

完整項(xiàng)目信息

Principal Architects: Agustín Berzero, Manuel Gonzalez Veglia (Tectum arquitectura)

Structural Engineering: Edgar Moran

Building Area: 54 ㎡

Location: La Paisanita, Córdoba, Argentina

Photos: Federico Cairoli

Text: Tectum arquitectura

 


 

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