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建筑賞析|WELIVE新作丨Ensō無盡的虛空?qǐng)A

發(fā)布于：2025-05-12 12:49:34

首頁/技術(shù)分享/建筑賞析

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WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第1張圖片

▲ Ensō環(huán)

項(xiàng)目背景
Project Context

”一次打破常規(guī)的合作“

這間90㎡的小店，是在設(shè)計(jì)師的審美與主理人的思想共同作用下“生長(zhǎng)”出的空間。

我們打破傳統(tǒng)設(shè)計(jì)流程的線性工作順序，選擇與主理人同步共創(chuàng)。讓主理人一開始就思考選擇想要放在空間里的桌椅、燈具、繪畫及材料，在設(shè)計(jì)過程中由設(shè)計(jì)師結(jié)合空間為物體的位置進(jìn)行量身定制，最終成型的空間，更像是主理人審美觀的實(shí)體化 —— 那些她珍視的循環(huán)、包容、留白的理念，都長(zhǎng)成空間的骨骼。

"A Collaboration Beyond Conventions"
This 90㎡ small shop is a space that "grew" from the interplay between the designer’s aesthetics and the proprietor’s philosophy. Breaking away from the traditional linear design process, we chose to co-create with the proprietor from the start. The proprietor began by selecting furniture, lighting, artwork, and materials they wished to incorporate, while the designer tailored their placement to the space. The final result is a physical manifestation of the proprietor’s taste—principles of circularity, inclusivity, and negative space, cherished by them, form the skeleton of the space.

設(shè)計(jì)理念
Design Concept

“讓萬物穿過自己”

“Ensō無盡的虛空?qǐng)A”是店的名字，主理人讓萬物穿過自己的思想，是空間的理念。

"Let All Things Pass Through Oneself"
The name of the shop, Ensō—Endless Void Circle, reflects the proprietor’s philosophy of allowing all things to pass through their mind.

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第2張圖片

▲ 草圖 ©未見筑

立面采用通高的大玻璃，讓室內(nèi)外的邊界盡量虛化。下方的折疊窗以開啟的方式進(jìn)一步拉近內(nèi)部空間與花園的距離，入口的通道穿過玻璃，用具象的形式呈現(xiàn)“穿過”的理念。體量，視線，光與風(fēng)景在這里得意輕松進(jìn)入到室內(nèi)，讓萬物穿過。

Floor-to-ceiling glass facades blur the boundary between indoors and outdoors. Folding windows below further dissolve this pide, while the entrance pathway, cutting through the glass, materializes the idea of "passing through." Volumes, sightlines, light, and scenery flow effortlessly into the interior, embodying the concept of letting the world permeate the space.

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第3張圖片

▲ 外擺 ©宛芹

▲ 入戶門 ©宛芹

▲ 室內(nèi)與花園 ©宛芹

©宛芹

©宛芹

“現(xiàn)代材料詮釋禪意”

在空間內(nèi)部，我們用暗紅色做舊不銹鋼板、玻璃等現(xiàn)代材質(zhì)，包裹住老榆木、竹子、火車枕木這些舊時(shí)光的痕跡。

沒有刻意的禪意符號(hào)，而是通過空間布局悄悄引導(dǎo)。從外擺區(qū)開始，踏著石板迂回走進(jìn)店內(nèi)，向內(nèi)延伸的動(dòng)線逐漸收窄，讓人不自覺放慢腳步，進(jìn)門5米長(zhǎng)的鋼板像一道時(shí)間的裂縫，剖開內(nèi)部空間；外擺花園的翻轉(zhuǎn)玻璃裝置，晴天時(shí)把天空剪下一片投進(jìn)室內(nèi)。

空與滿、舊與新，本是一體兩面。

“空間里的時(shí)間痕跡”

"Modern Materials Reinterpret Zen"
Inside, contemporary materials like dark red distressed stainless steel and glass envelop traces of the past—old elm wood, bamboo, and reclaimed railway sleepers.
Zen is evoked subtly through spatial choreography, not overt symbols. From the outdoor seating area, guests follow a winding stone path into the shop, where the narrowing circulation path slows their pace. A 5-meter-long steel plate slices through the interior like a fissure of time, while a tilted glass installation in the garden "steals" a fragment of the sky on sunny days, casting it indoors.
Emptiness and fullness, old and new—two sides of the same coin.

"Traces of Time in Space"

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第8張圖片

©宛芹

©宛芹

▲ 天然石洗手池和它的另一半 ©宛芹

“關(guān)于那個(gè)會(huì)偷天空的玻璃花園”

在外擺花園入口，藏著一個(gè)“天空小偷”，由四塊玻璃拼接成的藝術(shù)裝置。50度傾斜的玻璃在藍(lán)天白云下化作取景框，讓天空中的景色通過玻璃反射進(jìn)入室內(nèi)，讓坐在窗邊的客人看到天空與花園重疊交織的風(fēng)景，就算身處地面，我們也該有看云的權(quán)利。

"The Glass Garden That Steals the Sky"
At the garden entrance, the Sky Thief—an art piece of four tilted glass panels—acts as a lens. At a 50-degree angle, it reflects the sky’s ever-changing canvas into the interior, layering celestial and earthly views for window-seated guests. "Even grounded, we deserve the right to gaze at clouds," the proprietor remarks.

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第11張圖片

▲ 玻璃裝置草圖 ©未見筑

▲ 映射天空的玻璃裝置 ©宛芹

Ensō

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第13張圖片

©宛芹

主理人說：”去經(jīng)歷，去感受，最后允許萬物穿過自己?！?br />
下次路過金山意庫，不妨推開那扇帶著蟲眼的老榆木門。坐在被時(shí)光打磨的枕木上，看陽光在銹色鋼板上爬過深淺不一的紋路，聞陶碗紋理中散出的茶香。那些刻意追求的“圓滿”或許太重，而這里輕輕托住的“留白”，反而讓匆忙的日子有了喘息的間隙。

“空的杯子才能盛茶，
靜的心才能容下聚散?！?br />
The proprietor says, “To experience, to feel, and finally to let all things pass through oneself.”
Next time you visit Chongqing’s Jinshan Yiku, push open the wormhole-marked elm door. Sit on time-worn sleepers, watch sunlight trace rusted steel, and inhale tea-scented clay bowls. Here, the pursuit of “perfection” feels heavy, but the gently held negative space offers respite for hurried souls.
“An empty cup can hold tea,
A quiet heart can embrace encounters and partings.”

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第21張圖片

空間平面
Space Plan

WE LIVE 新作丨Ensō無盡的虛空?qǐng)A第22張圖片

▲ 平面圖 ©未見筑

項(xiàng)目信息
Project Information

業(yè)主單位：Ensō無盡的虛空?qǐng)A
主理人：肖可心
項(xiàng)目地點(diǎn)：重慶市渝北區(qū)金山意庫
室內(nèi)方案設(shè)計(jì)：未見筑設(shè)計(jì)事務(wù)所
主創(chuàng)設(shè)計(jì)師：李未韜、李博
設(shè)計(jì)團(tuán)隊(duì)：劉婷、張智睿
室內(nèi)施工圖設(shè)計(jì)：重慶索引幾何裝飾工程設(shè)計(jì)有限公司
植物配置：鎮(zhèn)上botany
攝影：宛芹
設(shè)計(jì)時(shí)間：2024年4月
竣工時(shí)間：2024年10月
設(shè)計(jì)面積：90平方米（室內(nèi)）40平方米（外擺）

Client: Ensō—Endless Void Circle
Proprietor: Xiao Kexin
Location: Jinshan Yiku, Yubei District, Chongqing
Interior Design: We Live
Lead Designers: Li Weitao, Li Bo
Design Team: Liu Ting, Zhang Zhirui
Construction Drawings: Chongqing Index Geometry Decoration Engineering Co., Ltd.
Botanical Design: Town Botany
Photography: Wan Qin
Design Period: April 2024
Completion: October 2024
Interior Area: 90㎡
Outdoor Seating: 40㎡

來源：本文由未見筑設(shè)計(jì)事務(wù)所提供稿件，所有著作權(quán)歸屬未見筑設(shè)計(jì)事務(wù)所所有。

本文版權(quán)歸腿腿教學(xué)網(wǎng)及原創(chuàng)作者所有，未經(jīng)授權(quán)，謝絕轉(zhuǎn)載。