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建筑賞析|遠古的廢墟祭壇-M2培訓(xùn)中心

發(fā)布于:2025-03-28 12:49:19

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遠古的廢墟祭壇 - M2培訓(xùn)中心第1張圖片


▲ 空間概覽 ©張虔希
View of the Hall ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第2張圖片


▲ 從入口高空間看向階梯和cafe ©張虔希
View from the Entrance Space towards Steps and Café ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第3張圖片


▲ 從階梯看向前部高空間 ©張虔希
View from Steps towards the Raised Front Space_Photographer_Terrence Zhang


由SpActrum譜觀建筑設(shè)計的位于杭州的M2培訓(xùn)中心于近日落成。這個空間以圓形劇場為基本原型,通過多中心三組同心圓相互交疊穿插,將傳統(tǒng)的階梯空間化為漣漪、蜿蜒的室內(nèi)景觀,釋放出一個功能可以千變?nèi)f化具有諸多可能性的空間。

SpActrum has recently completed the M2 Training Centre in Hangzhou, China, a space designed around the concept of an amphitheatre. The architecture firm has created a multi-centred interior landscape by overlapping three sets of concentric circles, advancing traditional stepped spaces into a fluid, rippling terrain. This design unlocks a versatile space capable of accommodating a wide range of functions.

遠古的廢墟祭壇 - M2培訓(xùn)中心第4張圖片


▲ 臺階穿插并演化成坡道 ©萬金宇
Steps Transitioning into Ramps through Interlocking ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第5張圖片


▲ 大廳中部的圓形天光 ©張虔希
Skylight at the Centre of the Hall ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第6張圖片


▲ 大廳中部的圓形天光與階梯 ©萬金宇
Skylight at the Centre of the Hall Interacting with Steps ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第7張圖片


▲ 從入口看向前部高空間 ©張虔希
View from Entrance towards the Raised Front Space ©Terrence Zhang


這是一個功能具有不確定性的空間。除了完成企業(yè)總部的培訓(xùn)機能外,也具有進行展示、拍攝的空間潛力。

The space is intentionally ambiguous in its purpose. While it serves as a training facility for the corporate headquarters, it also holds potential for exhibitions and filming.

遠古的廢墟祭壇 - M2培訓(xùn)中心第8張圖片


▲ 不同燈光模式下的階梯 ©萬金宇
Steps in Dimming Lighting ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第9張圖片


▲ 大廳中部的圓形天光與階梯 ©萬金宇
Skylight at the Centre of the Hall Interacting with Steps ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第10張圖片


▲ 大廳中部的圓形天光與階梯 ©萬金宇
Passage Created by Interlocking Steps ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第11張圖片


▲ 將行走與坐觀相融合的階梯 ©張虔希
Steps Integrating Movement and Seating ©Terrence Zhang


室內(nèi)空間在此被理解為一種景觀。培訓(xùn)空間或分享空間在今天常以階梯的方式出現(xiàn)。這種梯階將行走和坐觀融合在同樣的地景中。對于譜觀的建筑師來說,這種形式以同樣的幾何處理適應(yīng)了不同的行為模式,賦予空間前所未有的松弛和連續(xù),打破了功能的界限,但仍是中心性強烈和話語權(quán)力統(tǒng)一的產(chǎn)物。當(dāng)今的社會,需要創(chuàng)新的原型以適應(yīng)和創(chuàng)造多中心的、講述者與觀眾合一的空間場域,以釋放更多的空間潛力,達成更大的空間自由。

Today,training and sharing spaces are often arranged in stepped formations. Thus the interior is conceived as a kind of landscape, where steps merge movement and seating into a single, continuous topography. For SpActrum's architects, this geometric approach adapts to various behavioural patterns, imbuing the space with an unprecedented sense of fluidity and continuity. While although it breaks down functional boundaries, it still maintaining a strong central focus and unified narrative power. In today's society, there is a need for innovative prototypes that can adapt to and create multi-centred spaces where speakers and audiences merge, unlocking greater spatial potential and freedom.

遠古的廢墟祭壇 - M2培訓(xùn)中心第12張圖片


▲ 前部高空間天井細節(jié) ©萬金宇
Skylight Well Details in the Raised Front Space ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第13張圖片


▲ 室外入口 ©張虔希
Outdoor Entrance ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第14張圖片


▲ 培訓(xùn)中心建筑外觀 ©張虔希
Architectural Exterior of the Training Centre ©Terrence Zhang


譜觀建筑借用和回溯了階梯與觀演結(jié)合的最古老原型——圓形劇場,并構(gòu)想了三組互相交結(jié)的以同心圓排布的階梯狀空間。它們一起構(gòu)成連續(xù)變化的地形。設(shè)計的過程是對于三組同心圓幾何特征參數(shù)的不斷調(diào)試。這些參數(shù)主要包括:

1. 圓心位置,圓心的位置定義了空間群組的關(guān)系和基本的使用模式。

2. 階梯高度間隔和增減趨勢,階梯之間應(yīng)該滿足基本的人的坐高,同時降低行走的難度使臺階間隔高度不要太大。整個空間不再是一個統(tǒng)一的階梯,但仍然應(yīng)該具有后部高、前部低的總體趨勢,使得空間也具有潛力,三圓合一,作為一個宣講空間使用。所以,前兩個同心圓圓心是低點,而后部的同心圓圓心是高點。這也強化了“地形”、“山坡”這樣的景觀意向。

3. 圓間距,也就是階梯寬度。它受到人的尺度的影響,當(dāng)這樣的間距作為階梯講壇使用時,希望其寬度可以容納人坐在邊緣,其后的空間仍可滿足穿行的需求;當(dāng)其作為穿越性空間時,希望其寬度可以構(gòu)成具有安全感的心理體驗的行走空間。

4. 圓心偏心旋轉(zhuǎn)角度。僅靠平面的交接很難達成三組同心圓階梯生動而豐富的交接。正如自然的地形從來不是平面的階梯,抽象自然的同心圓臺階也可以具有與水平面的夾角。這樣的夾角應(yīng)該足夠小,使行走更容易。同時也應(yīng)該意識到,臺階之間因此有了穿插,臺階沿圓周方向演化成了一系列坡道。圓和圓之間有了復(fù)雜的穿插關(guān)系。

SpActrum drew inspiration from the ancient prototype of the amphitheatre, where seating and performance are intertwined, and envisioned three interlocking sets of concentric, stepped spaces. Together, these form a continuously shifting terrain. The design process involved constant adjustments to the geometric parameters of the three concentric circles. Key parameters include:
1.Centre Point Location: The position of the centre points defines the relationship between spatial groups and the basic usage patterns.
2.Step Height and Gradient: The steps must accommodate standard seating heights while ensuring ease of movement by avoiding excessively high intervals. Although the space no longer features a uniform staircase, it retains a general trend of higher steps at the back and lower steps at the front, allowing the space to function as a presentation area when the three circles align. Thus, the first two concentric circles have lower centre points, while the rear circle has a higher one, reinforcing the landscape imagery of "terrain" and "hillside."
3.Circle Spacing (Step Width): Influenced by human scale, the width of the steps should allow for seating at the edges while leaving enough space for passage. When used as a walkway, the width should provide a sense of security and comfort.
4.Eccentric Rotation Angle: Simply overlapping the circles on a flat plane would not achieve the dynamic and rich intersections desired. By introducing a slight angle to the concentric steps, similar to natural terrain, the steps evolve into a series of ramps along the circumference, creating complex interweaving relationships between the circles.

遠古的廢墟祭壇 - M2培訓(xùn)中心第15張圖片


▲ 同心圓的三個參數(shù)示意圖 ©SpActrum譜觀
Three Variables of the Concentric Circles ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第16張圖片


▲ 大廳前部高空間的天光 ©張虔希
Skylight in the Raised Front Space of the Hall ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第17張圖片


▲ 階梯空間化為漣漪般的室內(nèi)景觀 ©張虔希
Stepped Space Transformed into a Ripple-like Interior Landscape ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第18張圖片


▲ 大廳中部的圓形天光與階梯 ©張虔希
Skylight at the Centre of the Hall Interacting with Steps ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第19張圖片


▲ 大廳中部的圓形天光與階梯 ©萬金宇
Skylight at the Centre of the Hall Interacting with Steps ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第20張圖片


▲ 圓形階梯的交接穿插 ©萬金宇
Interwoven Geometry of Circular Steps ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第21張圖片


▲ 圓形階梯交接細節(jié) ©萬金宇
Steps Joining and Interlocking ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第22張圖片


▲ 不同寬度坡度的階梯穿插 ©萬金宇
Interlaced Steps with Varying Widths and Slopes ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第23張圖片


▲ 臺階燈光細節(jié) ©張虔希
Step Lighting Details ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第24張圖片


▲ 圓形圍合的宣講空間 ©張虔希
Circular Enclosed Lecture Space ©Terrence Zhang


值得一提的是,這些參數(shù)的設(shè)定并非注意次第確定,而是一個相互協(xié)調(diào)試探的過程。

至此,空間的基本架構(gòu)具備。在坡道高起的部分下部具備了容納一個cafe,為此處聚集的人員服務(wù)的潛力。借助前部高空間,布置了天光,和大廳中部的圓形天光一起為空間提供日光環(huán)境。除與大樓的辦公空間連續(xù)以外,還具有一個直通戶外的簡素入口。

It is worth noting that these parameters were not determined sequentially but through a process of mutual coordination and experimentation.
With the basic structure in place, the raised sections of the ramps create space for a café, serving those who gather in the area. Skylights are strategically placed in the higher front sections, along with a central circular skylight, to flood the space with natural light. In addition to its connection to the office spaces, the centre features a simple, direct entrance leading outdoors.

遠古的廢墟祭壇 - M2培訓(xùn)中心第25張圖片


▲ 階梯與臺階細節(jié) ©張虔希
Details of the Steps and Treads ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第26張圖片


▲ 從入口看向階梯大廳 ©張虔希
View from Entrance towards the Stepped Hall ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第27張圖片


▲ 不同燈光模式下的階梯 ©萬金宇
Steps in Dimming Lighting ©Jinyu Wan

遠古的廢墟祭壇 - M2培訓(xùn)中心第28張圖片


▲ 前部高空間 ©萬金宇
Raised Front Space ©Jinyu Wan


至此,一個室內(nèi)的地景完整地展開了,聚集、分享、通行,空間不再賦予行為獨一無二的定義,而是一如自然中的大地,人作為具有適應(yīng)力、想象力的實體,依照大地的走勢,尋找自己的移動路徑、行為方式,并與之互動??臻g以其參數(shù)屬性提供一種趨勢,促成某些再次被喚起的活動,但并不刻板地定義這些活動的邊界。

In this way, an indoor landscape unfolds, where gathering, sharing, and movement are no longer rigidly defined. Like the natural terrain, the space invites people—adaptive and imaginative beings—to navigate its contours, find their own paths, and interact with it. The space, through its parametric design, suggests certain tendencies and encourages activities to emerge organically, without imposing strict boundaries.

遠古的廢墟祭壇 - M2培訓(xùn)中心第29張圖片


▲ 交結(jié)排布的階梯 ©張虔希
Interlocking Arrangement of Steps ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第30張圖片


▲ 訪談場景 ©張虔希
Interview Scene ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第31張圖片


▲ 作為景觀的臺階 ©張虔希
Steps as a Kind of Landscape ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第32張圖片


▲ 階梯高度逐漸遞增 ©張虔希
Ascending Step towards the Back ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第33張圖片


▲ 從空間制高點看向階梯和前部高空間 ©張虔希
View from the Highest Point towards Steps and the Raised Front Space ©Terrence Zhang

遠古的廢墟祭壇 - M2培訓(xùn)中心第34張圖片


▲ 流線示意圖 ©SpActrum譜觀
Circulation Diagram ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第35張圖片


▲ 空間使用透視場景1(小群組使用)©SpActrum譜觀
Perspective View of Space Usage Scenario 1(in Small Clusters ) ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第36張圖片


▲ 空間使用透視場景2 (群體演講)©SpActrum譜觀
Perspective View of Space Usage Scenario 2 (Open Speech) ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第37張圖片


▲ 平面圖 ©SpActrum譜觀
Plan ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第38張圖片


▲ 剖面圖1 ©SpActrum譜觀
Section 1 ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第39張圖片


▲ 剖面圖2 ©SpActrum譜觀
Section 2 ©SpActrum

遠古的廢墟祭壇 - M2培訓(xùn)中心第40張圖片


▲ 剖透視圖 ©SpActrum譜觀
Exploded Perspective Diagram ©SpActrum


項目信息

項目名:M2培訓(xùn)中心
項目所在地:杭州市蕭山區(qū)三江匯美人紀(jì)·品牌總部
項目面積:275㎡
完工時間:2024.06
項目客戶:美人紀(jì)MREGINA
室內(nèi)設(shè)計:SpActrum譜觀
設(shè)計主創(chuàng):潘巖
設(shè)計團隊成員:李真、李春旭
施工團隊:北京京暉裝飾工程有限公司
攝影:張虔希、萬金宇
其他圖片版權(quán):SpActrum譜觀

Project Info:
Project Name: M2 Training Centre
Location: MREGINA, Sanjianghui, Xiaoshan District, Hangzhou, China
Area: 275㎡
Completion Date: 2024.06
Client: MREGINA
Interior Design: SpActrum
Lead Designer: Yan Pan
Design Team Members: Zhen Li, Chunxu Li
Construction Team: Beijing Jinghui Decoration Engineering Co., Ltd.
Photography: Terrence Zhang, Jinyu Wan
Other Image Copyrights: SpActrum


來源:本文由SpActrum譜觀提供稿件,所有著作權(quán)歸屬SpActrum譜觀所有。

本文版權(quán)歸腿腿教學(xué)網(wǎng)及原創(chuàng)作者所有,未經(jīng)授權(quán),謝絕轉(zhuǎn)載。

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