設(shè)計(jì)單位? 七月合作社

項(xiàng)目地點(diǎn)? 廣東深圳

完工時(shí)間? 2023年10月

項(xiàng)目面積? 約877平方米

本文文字由設(shè)計(jì)單位提供。

▲ 項(xiàng)目視頻? ?七月合作社

深圳大鵬灣有著得天獨(dú)厚的山海風(fēng)光，三面環(huán)山、鄰接大海、遠(yuǎn)眺香港。項(xiàng)目所在的地理位置被絕佳的自然景觀和感官體驗(yàn)包圍，有著獨(dú)特的場(chǎng)地精神。景觀設(shè)計(jì)以克制的姿態(tài)進(jìn)入，讓設(shè)計(jì)服務(wù)于自然和體驗(yàn)，并與建筑空間達(dá)成和諧相融。經(jīng)由造景的山海、森林意向，通往真正的大海，當(dāng)身處庭園內(nèi)或身處建筑中不同高度，對(duì)海也會(huì)有著不同的感受。

Shenzhen MIrs Bay boasts a distinctive mountain-sea vistas, encircled by mountainous on the east, north and west, affording views of neighboring Hong Kong. The project site harbors an exclusive place spirit, which allows individuals to be enveloped in superior natural scenery and sensory immersion. Its landscape design respects nature, innovates experience, and aspires to attain harmony in building space. Navigating artificial landscapes of mountains and forests, the path then provides access to real sea views, offering diverse perspectives of the sea at varying heights within the gardens and structures.

景觀與自然：“動(dòng)”與“靜”的詩(shī)意

Landscape and Nature: The Poetry of “Vitality ” and “Serenity”

入戶即遠(yuǎn)離外部喧囂，進(jìn)入另一重感受。圍繞建筑的動(dòng)線明晰，木紋清水混凝土墻兼具自然的紋理和肅穆的現(xiàn)代性。進(jìn)入右側(cè)動(dòng)線，對(duì)景的瀑布引人徐徐步入，大體量的黃銹石表面肌理豐富，水順延自然面徐徐跌落，水聲裊裊。黑色長(zhǎng)條水景盡頭是幾何形雕塑，現(xiàn)代、利落、充滿儀式感。雕塑特定的位置與高度埋下伏筆，隨著游覽的深入，將在建筑另一側(cè)成為端景，兩根軸線與視線在此交匯。

Upon entry, the building offers a serene retreat from exterior noise, akin to entering a detached dimension. The structure’s lines are distinct, while the wood grain concrete surfaces display a blend of natural texture and contemporary elegance. Upon transitioning into the right vital path, and the waterfall opposite draws one in slowly. Water gently cascades along the substantial textured yellow rust stone surface, echoing melodiously.The path then leads to an inner yard, where water and rock-block field surrounding the building come into view. Since the sculpture’s location and elevation are meticulously designed, as the tour proceeds, the statue becomes an endpoint scenery on the opposite side of the structure, offering a visually striking experience.

循踏步到達(dá)一處內(nèi)庭園，圍繞建筑的水與石海開(kāi)始出現(xiàn)?；⌒螄系募t色夯土墻體有著自然侵蝕的痕跡，也是時(shí)間的痕跡。

The path then leads to an inner yard, where water and rock-block field surrounding the building come into view. The curving enclosed red rammed earth wall bears signs of natural erosion and the passage of time.

人們穿過(guò)通道后迎來(lái)更通達(dá)的視角，整個(gè)庭園展現(xiàn)，游覽其中，得以回望建筑。石條與石材鋪裝營(yíng)造出豐富的空間感受，堅(jiān)硬的石材描繪出曲水的柔軟形態(tài)，自由的洄游動(dòng)線給人以輕松自在的氛圍。無(wú)盡的石海中，間或出現(xiàn)的出水口泛起漣漪，為靜謐氛圍增添獨(dú)有的節(jié)奏。

Through the corridor, an expansive view unfolds, revealing the entire garden and providing a retrospective glance at the building. Stone bars and other stone materials produce rich spatial perception. Rigid stones harmonize with soft curve of water. The free migration vital route create an relaxed ambiance. Within the boundless stone sea, intermittent ripples from water outlets contribute a unique tempo to the tranquility.

原始的、未經(jīng)修飾的大體量石材成為視覺(jué)重心，讓人靜觀庭園時(shí)安心、篤定，感受到最純粹的心境。未見(jiàn)海，但能聽(tīng)見(jiàn)浪潮聲，讓人開(kāi)始對(duì)更廣闊的自然有了期待和想象?？邕^(guò)石海與石山，就是一條通向海的道路。

The large raw mass stone, serves as the visual focus, promoting serene comfort during garden viewing and adding individuals in attaining mental purity.? Hearing the sea’s rhythm without an visual cues prompts anticipation for the broader nature. Beyond the stones and mountains stands a path to the sea.

景觀與建筑：多樣化的空間關(guān)系

Landscape and Architecture: Diverse Spatial Relationships

建筑內(nèi)部空間的高度變化明晰而有序，區(qū)域功能之間創(chuàng)造出恰當(dāng)?shù)牧舭着c過(guò)渡。一層經(jīng)由室內(nèi)到半開(kāi)放的空間，逐漸向光線充足的庭園層層過(guò)渡。

Interior spaces of the building exhibit clear, organized height changes, with suitable reserve space and transitions among area’ functions. The first floor adopts a transition style from enclosed spaces to semi-open and progressively well-lit courtyards.

大面積開(kāi)窗與無(wú)遮擋的落地窗設(shè)置，令各個(gè)角度的視覺(jué)感受通透無(wú)遮擋，將室內(nèi)與外部連成一片。窗景常常出現(xiàn)在意想不到的位置，每個(gè)窗口都可以作為獨(dú)特的取景器，不同形式的窗又引景入室，帶來(lái)多樣化的框景效果。而一層可望不可及的空間之外，是若隱若現(xiàn)的自然沙灘與山海的延綿輪廓，伴隨鳥鳴與海浪聲，令整體空間感受變得更神秘深遠(yuǎn)。

Wide-open windows and unobstructed floor-to-ceiling windows enable wide visual field, integrating indoor and outdoor close-up views with distant ones. Different windows often present unexpected view scenery. Each window functions as an individual viewfinder. Diverse forms of windows can frame various scenes, thus generating distinctive enframed scenery. Beyond the unreachable space on the first floor, a blurred outline of natural beach, mountain, and sea, coupled with the symphony of birds and waves, enhance the space’s mystique and profundity.

當(dāng)身處不同高度，對(duì)海也會(huì)有著不同的感受。二樓空間是相對(duì)更為私密的個(gè)人空間，室內(nèi)主臥和衛(wèi)生間與室外視線互通，可形成一定的對(duì)景關(guān)系。用純粹的自然石與象征水的碎石造景，試圖讓人的心情歸于幽靜與曠達(dá)，從而能夠達(dá)到與自己對(duì)話的平穩(wěn)心境。通透的窗戶延伸了視線，讓人真正地住進(jìn)了風(fēng)景里。隨著更高的視角出現(xiàn)，平臺(tái)上可打開(kāi)窗直接眺望海岸，創(chuàng)造出更多與自然對(duì)話的空間。

Individuals can perceive the sea differently at varying heights. The second floor is a more private area. Integrating indoor master bedroom and bathroom with outdoor views forms an opposite scenery correlation. Landscape made of natural stones and gravels representing water aims to induce your serenity and openness, so as to connect with one’s innermost being. The well-light windows extend the line of sight, which allows a deeper immersion into the landscape. With the height elevating, the platform’s windows can be opened for coastal views, providing more space for you to interact with the nature.

三樓是整幢建筑的最高點(diǎn)，向外可遠(yuǎn)眺整片海，向內(nèi)可感受整座建筑的空間關(guān)系。圍繞中心的室內(nèi)空間，活動(dòng)平臺(tái)可供人洄游行走與休憩，在功能與景觀視覺(jué)上有一定的融合。郭熙在其畫論《林泉高致》中所言非虛：“水欲遠(yuǎn)，盡出之則不遠(yuǎn)，掩映斷其脈，則遠(yuǎn)矣?！睙o(wú)邊界水景倒映出天空，與遠(yuǎn)方的海平面相接，模糊并消融了關(guān)系與邊界，營(yíng)造出海天一線的視覺(jué)感受。碧空連霄綿延遠(yuǎn)，水天一色玉空明，讓人頓覺(jué)自然不僅限于庭園的院墻內(nèi)的一抹綠色，而是像眼前的海一樣無(wú)限廣闊。

The third floor, the building’s apex, affords external views of the entire sea and internal perception of its spatial configuration. The activity platform in the central indoor space acts as a venue to walk migration and rest. It integrates functionality and landscape vision to some extent. As stated by Guo Xi in his Lin Quan Gao Zhi, the key to evoking a far-reaching sense of water lines in concealing and disrupting its flow through intricate techniques, rather than highlighting its source and termination. The boundless water scene mirrors the sky and merges with the sea level, obscuring and erasing the boundary line and engendering an impressive sensation of the sea and sky merging into one. The extensive panorama of clear skies and waters merging together enables one to perceive that nature transcends the mere hint of greenery within the garden wall, and it can extend as infinitely as the sea before us.

完整項(xiàng)目信息

項(xiàng)目名稱：L邸庭園

項(xiàng)目位置：中國(guó)深圳

項(xiàng)目面積：約877平方米

設(shè)計(jì)團(tuán)隊(duì)：七月合作社

團(tuán)隊(duì)成員：康恒、孫偉、蘇揚(yáng)、葉釗

工作內(nèi)容：概念設(shè)計(jì)、圖紙深化、現(xiàn)場(chǎng)監(jiān)理

公司網(wǎng)站：july-co.com

公司郵箱：info@july-co.com

完工時(shí)間：2023年10月

建筑室內(nèi)：僕人建筑

攝影、攝像、剪輯：朱海

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