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BIM建筑|ADWANGStudio辦公室 / 肅畫(huà)建筑ADWANGStudio

發(fā)布于:2024-09-24 17:30:17

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工作室辦公區(qū)? 攝影:張丹莉

設(shè)計(jì)單位? 肅畫(huà)建筑ADWANGStudio

項(xiàng)目地點(diǎn)? 中國(guó)上海

建成時(shí)間 2024年6月

建筑面積 420平方米


?

本文文字由設(shè)計(jì)單位提供。

當(dāng)建筑空間中應(yīng)用了某種結(jié)構(gòu)材料時(shí),

意義隨之產(chǎn)生,

而這種意義只有在這個(gè)空間中才能被注意到?!狿eter Zumthor

When a certain structural material is applied in an architectural space,

meaning is created,

and this meaning can only be noticed within this space. — Peter Zumthor

 

▲ 項(xiàng)目視頻? ?肅畫(huà)建筑ADWANGStudio

? ?

細(xì)節(jié),一旦設(shè)計(jì)得很成功,就不再僅僅是裝飾,它們成為作品中固有的一部分,支撐起一個(gè)項(xiàng)目的品質(zhì)。

Details, once designed successfully, are no longer just decorations; they become an inherent part of the work, supporting the quality of a project.

 

在佘山綠樹(shù)環(huán)繞的懷抱中,肅畫(huà)建筑ADWANGStudio的工作室悄然落成,它背向繁華的市區(qū),選擇了一種遠(yuǎn)離塵囂的寧?kù)o。從項(xiàng)目伊始,我們便拆除了所有非承重墻體,裸露出承重柱,以一種回歸本質(zhì)的姿態(tài),盡量讓空間通透和舒展。

Surrounded by greenery in Sheshan, the studio of ADWANGStudio quietly takes shape. It turns its back on the bustling city, choosing a tranquility away from the hustle and bustle. From the beginning of the project, we removed all non-load-bearing walls, exposing the load-bearing columns, returning to the essence, making the space as transparent and expansive as possible.

 

工作室辦公區(qū)? 攝影:張丹莉
工作室畫(huà)廊? 攝影:張丹莉
畫(huà)廊中的建筑師群像? 攝影:張丹莉
燈光實(shí)驗(yàn)室? 攝影:張丹莉
健身區(qū)? 攝影:張丹莉
休閑區(qū)窗套與空間? 攝影:張丹莉

踏入這個(gè)空間,地腳燈光如引路人,引導(dǎo)人們走向?qū)挸髁恋墓ぷ鲄^(qū)域。從材料圖書(shū)室、到辦公區(qū)、再到開(kāi)放廚房,除了辦公椅,其余的桌椅家具櫥柜均出自建筑師肅畫(huà)之手。

Entering this space, the footlights guide like a pathfinder, leading people towards the spacious and bright work area. From the material library to the office area, and then to the open kitchen, all furniture, cabinets, and chairs, except for office chairs, are made by the architect Su Hua.

 

平面布置圖? ?肅畫(huà)建筑ADWANGStudio
工作室辦公區(qū)入口? 攝影:張丹莉
原創(chuàng)實(shí)木長(zhǎng)凳與光影? 攝影:張丹莉
衛(wèi)生間? 攝影:張丹莉

一樓地面鋪設(shè)的粗糙戶(hù)外磚,模擬巖石質(zhì)感,讓人仿佛置身于自然之中。裸露的人工鑿毛承重柱,宛如雕塑般矗立,增添了幾分粗獷與原始之美。

The rough outdoor bricks laid on the first floor simulate the texture of rocks, making one feel as if they are in nature; the exposed, artificially chiseled load-bearing columns stand like sculptures, adding a touch of ruggedness and primitive beauty.

 

裸露的承重結(jié)構(gòu)? 攝影:張丹莉
極簡(jiǎn)與粗野? 攝影:張丹莉
轉(zhuǎn)角細(xì)節(jié)? 攝影:張丹莉

材料圖書(shū)室以U字型圍合,被刷白的OSB板,其肌理懸停在墻壁之上,猶如一塊塊石板,陳列著與建筑相關(guān)的書(shū)籍。與之相對(duì)的窗口也用同樣的材料包覆對(duì)應(yīng),經(jīng)過(guò)精細(xì)工藝處理,極簡(jiǎn)視覺(jué)的同時(shí)又富有肌理。

The material library is enclosed in a U-shape, with whitewashed OSB boards whose textures hang on the walls like slabs of stone, displaying books related to architecture. The corresponding windows are also wrapped with the same material, processed with fine craftsmanship, creating a minimalist visual while rich in texture.

 

U型的材料圖書(shū)室? 攝影:張丹莉

材料圖書(shū)室細(xì)節(jié)? 攝影:張丹莉

辦公區(qū)由四張桌子和兩個(gè)2.8米高的落地?zé)艚M成,它們不僅滿(mǎn)足日常照明的需求,更如同兩個(gè)裝飾構(gòu)筑物,裝點(diǎn)著室內(nèi)空間。樓梯交通盒裹以天然軟木,觸感溫潤(rùn)如樹(shù)干,為上下穿梭的行走增添了幾分寧?kù)o與沉穩(wěn)。同時(shí),軟木墻面也作為日常的“工作日志和靈感墻”,釘著與項(xiàng)目相關(guān)的一些文字圖像信息,記錄著創(chuàng)意與思考的軌跡。

The office area consists of four desks and two 2.8-meter-tall floor lamps, which not only meet the daily lighting needs but also serve as decorative structures, adorning the interior space. The stair traffic box is wrapped with natural cork, with a warm and smooth touch like a tree trunk, adding tranquility and stability to the movement up and down. At the same time, the cork wall also serves as a daily "work log and inspiration wall," pinned with some textual and graphic information related to the project, recording the trajectory of creativity and thought.

 

工作室辦公區(qū)? 攝影:張丹莉
辦公區(qū)組成? 攝影:張丹莉
定制2.68米落地?zé)? 攝影:張丹莉
墻門(mén)一體? 攝影:張丹莉
墻面日常使用方式? 攝影:張丹莉

廚房是我們對(duì)建筑邏輯與藝術(shù)美學(xué)結(jié)合的探索,一套原創(chuàng)的櫥柜產(chǎn)品在這里誕生。我們不希望廚房?jī)H僅是“勞作”的地方,在這里形式與功能完美結(jié)合,卓越地設(shè)計(jì)使得功能性的廚房具備了獨(dú)特的美學(xué)高度。

The kitchen is our exploration of the combination of architectural logic and artistic aesthetics, where a set of original cabinet products is born. We do not want the kitchen to be just a place for "work"; here, form and function are perfectly combined, and excellent design makes the functional kitchen have a unique aesthetic height.

 

建筑師廚房美學(xué)? 攝影:張丹莉
建筑師原創(chuàng)櫥柜? 攝影:張丹莉
洗手臺(tái)細(xì)節(jié)? 攝影:張丹莉

在室外,我們圍繞一棵香樟樹(shù)建立實(shí)木圍墻,搭建實(shí)木地板。木材作為這個(gè)空間質(zhì)量的重要元素,色彩生動(dòng),遇水散發(fā)木質(zhì)香,腳感溫潤(rùn)。在樹(shù)影下,這里顯得格外生動(dòng)有人情味,與自然和諧融合。我們放置了一組戶(hù)外家具,承載我們聚會(huì)休閑、放松的時(shí)光。

Outdoors, we built a solid wood fence around a camphor tree and constructed a solid wood floor. Wood, as an important element of the quality of this space, is vivid in color, emits a woody fragrance when wet, and has a warm foot feel. Under the shade of the tree, this place is particularly lively and humanized, harmoniously integrated with nature. We placed a set of outdoor furniture, bearing our leisure and relaxation time.

 

實(shí)木庭院? 攝影:張丹莉
庭院與香樟樹(shù)的關(guān)系? 攝影:張丹莉
實(shí)木庭院細(xì)節(jié)? 攝影:張丹莉

 

完整項(xiàng)目信息

項(xiàng)目名稱(chēng):ADWANGStudio辦公室

項(xiàng)目類(lèi)型:辦公空間、室內(nèi)改造

項(xiàng)目地點(diǎn):上海松江區(qū)

建成狀態(tài):建成

設(shè)計(jì)時(shí)間:2024年3月

建設(shè)時(shí)間:2024年3月—2024年6月

建筑面積:420平方米

設(shè)計(jì)單位:肅畫(huà)建筑ADWANGStudio

設(shè)計(jì)單位聯(lián)系方式:adwangstudio@foxmail.com

主創(chuàng)建筑師:肅畫(huà)

設(shè)計(jì)團(tuán)隊(duì)完整名單:張丹莉

施工單位:上海筑聿裝飾設(shè)計(jì)工程有限公司

照明設(shè)計(jì):肅畫(huà)

家具設(shè)計(jì):肅畫(huà)

材料:軟木、OSB板、柚木、楓木

攝影師:張丹莉


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