建筑設(shè)計(jì)? Sou Fujimoto Architects

項(xiàng)目地點(diǎn)? 法國(guó)蘭斯

建成時(shí)間? 2024年

使用面積? 1,400平方米

這個(gè)接待中心是蘭斯Ruinart香檳酒莊改建項(xiàng)目的一部分，以酒莊創(chuàng)始人Nicolas Ruinart命名。蘭斯（Reims）是香檳生產(chǎn)的核心區(qū)，而Ruinart是歷史最悠久的香檳酒莊之一，自1729年以來一直專門生產(chǎn)香檳，目前歸LVMH集團(tuán)所有。

In the heart of the historic capital of Champagne, a modern pavilion has been built for visitors to the oldest champagne factory in France - Maison Ruinart in Reims. Founded in 1729 by Nicolas Ruinart, Maison Ruinart is the world's first champagne production house. However, the history of the brand goes back much earlier, to Benedictine monk Thierry Ruinart (1657-1709), whose intuition contributed to the development of champagne production. After encountering "wine with bubbles" in Paris, his nephew, Nicolas, introduced the idea of establishing the first champagne house in Reims. In the mid-1800s, Ruinart acquired the chalk basement beneath the city, which became a symbol of the brand.

藤本壯介的設(shè)計(jì)靈感來自漂浮在玻璃杯中的香檳酒氣泡。玻璃幕墻底部透明、頂部不透明，形成柔和的過渡。建筑以石材和木材建造，體現(xiàn)了當(dāng)?shù)氐慕ㄖ鹘y(tǒng)。墻壁和不對(duì)稱的屋頂呈現(xiàn)出順暢的曲線，并與玻璃幕墻相連接。接待中心微妙的曲線與周圍矗立的直線條歷史建筑，形成鮮明對(duì)比。

The pavilion is distinguished by subtle curves that contrast with the straight lines of nearby historic buildings. The building, on the plan of an isosceles trapezoid, with concave sides (except for the longest one), was built from local Soissons sandstone, which pays respect to regional building traditions. Wood and glass were also used in the construction. A characteristic element of the pavilion is the asymmetrical, curved roof, as well as the glazed facade, decorated with gradient glass, which is characterized by a smooth transition from transparency in the lower part to white in the upper part of the building. In designing the exterior of the building, the architects were inspired by the appearance of champagne foam floating in a glass.

藤本壯介說：“這座流光溢彩的半透明建筑，旨在讓游客仿佛置身于珠寶盒中。作為Ruinart酒莊的縮影，它雪白的石灰?guī)r墻壁是歷史的傳承，而優(yōu)美開敞的屋頂則代表著現(xiàn)代?！?/p>

This translucent, light-emitting building is designed to welcome visitors to feel like they are in a jewelry box. It epitomizes the Ruinart House as a descendant of history with snow-white limestone walls, yet a representative of modernity with a graceful open roof.? - says Sou Fujimoto

建筑中央是Ruinart酒莊的接待區(qū)，以及辦公、餐飲和零售空間。館內(nèi)還有大片未定義的自由空間，人們可在不同區(qū)域之間自由穿梭。室內(nèi)設(shè)計(jì)由Gwena?l Nicolas設(shè)計(jì)，周圍的花園由Christophe Gautrand設(shè)計(jì)。

The center of the pavilion houses Maison Ruinart's reception area, as well as office, dining and retail spaces. There is also a lot of free space in the premises, allowing free movement between different zones. The spatial layout has been designed in a way that leads visitors from the twilight, reminiscent of the atmosphere of traditional chalk cellars, toward spacious and light-filled rooms.

展館的設(shè)計(jì)在可持續(xù)性方面也考慮周到。除了使用天然、當(dāng)?shù)夭牧希摻ㄖ€擁有綠色屋頂和雨水收集系統(tǒng)，此外，借助太陽(yáng)能電池板和地?zé)崮埽ㄖ稍诘厣a(chǎn)其所需能源的80%。

The pavilion was designed with sustainability in mind. Natural materials - stone and wood - were used, and advanced green systems such as rainwater harvesting, geothermal heating, reinforced insulation and a UV-blocking fa?ade were incorporated to minimize energy consumption. The building meets French HQE (Haute Qualité Environnementale - high environmental quality) standards, and 80% of the energy sourced for the building comes from renewable sources.

設(shè)計(jì)圖紙 ▽

完整項(xiàng)目信息

name: LE PAVILLON NICOLAS RUINART

function: PAWILON

location: REIMS, FRANCE

project: SOU FUJIMOTO ARCHITECTS

chief architect: SOU FUJIMOTO

persons responsible: MARIE DE FRANCE

project team: PRZEMEK WITKOWSKI, ADRIEN DE LASSENCE

competition and research team: FLORA MARCHAND, PIOTR MIESZKOWSKI, JAIME PEIRO SUSA, NICOLAS LUCA DE TENA DELIBES, ALESSANDRA BRUE, PRZEMEK WITKOWSKI

investors: MHCS & MAISON RUINART

construction coordination and consultation, structural engineers, mechanical engineers: KUBE INGéNIERIE

interior designers: CURIOSITY INC

landscape architects: AGENCE CHRISTOPHE GAUTRAND & ASSOCIéS

lighting designer: CHRISTIAN MIOLA LIGHTING

sustainability specialist: FRANCK BOUTTé CONSULTANTS

acoustics: META ATELIER

construction contractor: DEMATHIEU BARD

wood construction: MATHIS

stone construction: LEON NOEL

facade: EIFFAGE METAL

construction system: MASSIVE STONE WALLS AND WOODEN ROOF TRUSSES

calendar:

project: 2018

construction: 2022-2024

area:

usable: 1400 M2

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